I. General Information
1. Course Title:
Art Appreciation
2. Course Prefix & Number:
ARTS 1470
3. Course Credits and Contact Hours:
Credits: 3
Lecture Hours: 3
Lab Hours: 0
4. Course Description:
This course is an introduction to the history and appreciation of art through a survey of aspirations and art forms as expressed in painting, sculpture, printmaking, photography, crafts and cinematography. It is a study of individual artists, techniques, and art movements in specific context relative to the historical, political and economic circumstances. Other class components include course projects, discussions, research, and some writing requirements. MnTC Goal 6
5. Placement Tests Required:
Accuplacer (specify test): |
Reading College Level CLC or Reading College Level |
Score: |
|
6. Prerequisite Courses:
ARTS 1470 - Art Appreciation
There are no prerequisites for this course.
9. Co-requisite Courses:
ARTS 1470 - Art Appreciation
There are no corequisites for this course.
III. Course Purpose
MN Transfer Curriculum (General Education) Courses - This course fulfills the following goal area(s) of the MN Transfer Curriculum:
Goal 6 – Humanities and Fine Arts
IV. Learning Outcomes
1. College-Wide Outcomes
College-Wide Outcomes/Competencies |
Students will be able to: |
Demonstrate written communication skills |
Students complete several written essays during the semester. |
Demonstrate reading and listening skills |
Students complete weekly/biweekly quizzes, tests, or study worksheets on information studied in the course. |
Discuss/compare characteristics of diverse cultures and environments |
Students complete discussions or compare/contrast assignments in which diverse cultures are studied. |
2. Course Specific Outcomes - Students will be able to achieve the following measurable goals upon completion of
the course:
I. General Information
1. Course Title:
Art Appreciation
2. Course Prefix & Number:
ARTS 1470
3. Course Credits and Contact Hours:
Credits: 3
Lecture Hours: 3
Lab Hours: 0
4. Course Description:
This course is an introduction to the history and appreciation of art through a survey of aspirations and art forms as expressed in painting, sculpture, printmaking, photography, crafts and cinematography. It is a study of individual artists, techniques, and art movements in specific context relative to the historical, political and economic circumstances. Other class components include course projects, discussions, research, and some writing requirements. MnTC Goal 6
5. Placement Tests Required:
Accuplacer (specify test): |
Reading College Level CLC or Reading College Level |
Score: |
|
6. Prerequisite Courses:
ARTS 1470 - Art Appreciation
There are no prerequisites for this course.
9. Co-requisite Courses:
ARTS 1470 - Art Appreciation
There are no corequisites for this course.
II. Transfer and Articulation
III. Course Purpose
2. MN Transfer Curriculum (General Education) Courses - This course fulfills the following goal area(s) of the MN Transfer Curriculum:
Goal 6 – Humanities and Fine Arts
IV. Learning Outcomes
1. College-Wide Outcomes
College-Wide Outcomes/Competencies |
Students will be able to: |
Demonstrate written communication skills |
Students complete several written essays during the semester. |
Demonstrate reading and listening skills |
Students complete weekly/biweekly quizzes, tests, or study worksheets on information studied in the course. |
Discuss/compare characteristics of diverse cultures and environments |
Students complete discussions or compare/contrast assignments in which diverse cultures are studied. |
2. Course Specific Outcomes - Students will be able to achieve the following measurable goals upon completion of
the course:
V. Topical Outline
Listed below are major areas of content typically covered in this course.
1. Lecture Sessions
- The Language of Visual Experience
- Abstract art
- Aesthetics
- Analogous colors
- Atmospheric perspective
- Color schemes
- Complementary colors
- Content
- Cool colors
- Figure-ground reversal (flip)
- Form
- Geometric shape
- Hue
- Iconography
- Idealism
- Linear perspective
- Mass
- Media
- Nonrepresentational art
- Organic shape
- Picture plane
- Primary colors
- Representational art
- Saturation (intensity)
- Secondary colors
- Value
- Warm colors
- Work of art
- The Media of Art
- Art criticism
- Asymmetrical balance
- Cartoon
- Conte’ crayon
- Contextual theory
- Directional forces
- Encaustic
- Expressive theory
- Fresco
- Focal point
- Formal theory
- Format
- Gesso
- Glaze
- Gouache
- Hatching
- Impasto
- Intaglio
- Matrix
- Offset lithography
- Pattern
- Registration
- Relief printmaking
- Scale
- Screen-printing
- Sizing
- Substrate (or ground)
- Symmetrical balance
- Tempera
- Wash
- Additive sculpture
- Animation
- Assemblage
- Camera Obscura
- Cantilever
- Casting
- Cinema
- Cinematography
- Colonnade
- Daguerreotype
- Film editing
- Film noir
- Font
- Free standing
- Glaze
- Graphic design
- Installation
- International style architecture
- Kinetic sculpture
- Logo
- Masonry
- Montage
- Persistence of vision
- Photography
- Post-and-beam system
- Relief (as it applies to sculpture)
- Serif… and Sans Serif
- Shot
- Site-specific (as it applies to sculpture)
- Slip
- Storyboards
- Subtractive sculpture
- Title sequence
- Truss
- Typography
- Vault
- Warp
- Weft
- Art as Cultural Heritage
- Baroque
- Basilica
- Catacomb
- Classical art
- Genre painting
- Gothic
- Hierarchic scale
- Humanism
- Iconoclast
- Kouros
- Krator
- Romanesque
- Paleolithic art
- Petroglyph
- Renaissance
- Rococo
- Still life
- Ziggurat
- Bodhisattva
- Garba griha
- Iwan
- Literati painting
- Kachina
- Madrasa
- Mana
- Mihrab
- Minaret
- Picturesque
- Stupa
- Taotie mask
- Terra cotta
- Totem
- Ukiyo-e
- The Pre-Modern World
- Po
- Academic art
- Art Nouveau
- Avant-garde
- Collage
- Cubism
- Expressionism
- Fauvism
- Frame
- Futurism
- Impressionism
- Neoclassicism
- Optical color mixture
- Painterly
- Realism
- Romanticism
- Salon
- The Modern World
- Abstract Expressionism
- Action painting
- Art in consumerism
- Assemblage
- Automatism
- Color field painting
- Conceptual art
- Constructivism
- Dada
- Earthwork
- Frottage
- Happening
- Installation art
- Minimalism
- Performance art
- Photomontage
- Pop art
- Postmodern
- Readymade
- Social realism
- Surrealism
- The Post Modern World
- Architecture
- Painting
- Photography
- Sculpture
- Digital imaging
- Cinema
- Public Art
- Socially conscience art
- Post-internet art
- Global presence