Print Page
Active as of Fall Semester 2010
I. General Information
1. Course Title:
Film Appreciation
2. Course Prefix & Number:
ENGL 1454
3. Course Credits and Contact Hours:
Credits: 3
Lecture Hours: 3
Lab Hours: 0
4. Course Description:
This course is an introduction to film as art form, tracking theory—with emphasis on the evolution of directorial and cinematic technique—through the context of film history. Critical evaluations and in class discussion will be integral parts of the course.
5. Placement Tests Required:
6. Prerequisite Courses:
ENGL 1454 - Film Appreciation
There are no prerequisites for this course.
9. Co-requisite Courses:
ENGL 1454 - Film Appreciation
There are no corequisites for this course.
II. Transfer and Articulation
1. Course Equivalency - similar course from other regional institutions:
Name of Institution
|
Course Number and Title
|
Credits
|
Bemidji State University
|
ENGL 3607 Film
|
3
|
Mankato State University
|
ENGL 416 Film Theory and Criticism
|
3
|
III. Course Purpose
MN Transfer Curriculum (General Education) Courses - This course fulfills the following goal area(s) of the MN Transfer Curriculum:
Goal 6 – Humanities and Fine Arts
IV. Learning Outcomes
1. College-Wide Outcomes
College-Wide Outcomes/Competencies |
Students will be able to: |
Demonstrate oral communication skills |
Stand up and present to the class a detailed critical appraisal of the effectiveness of a director’s or cinematographer’s technique inside a dramatic context |
Demonstrate written communication skills |
Compose two critical papers in the MLA format |
Demonstrate reading and listening skills |
Recognize and name specific techniques (from the reading and lecture) used by a director or cinematographer in a particular shot or scene |
Apply abstract ideas to concrete situations |
Analyze a film’s ideological stance by citing the techniques used to produce said effects |
2. Course Specific Outcomes - Students will be able to achieve the following measurable goals upon completion of
the course:
Expected Outcome
|
MnTC Goal Area
|
Demonstrate awareness of technique, genre, and history of film as an art form
|
6
|
Understand those works as expressions of individual and human values within an historical and social context.
|
6
|
Respond critically to a director’s or cinematographer’s technique within the context of a dramatic situation, mood, theme, style, and genre.
|
6
|
Articulate an informed personal reaction to the film as a whole.
|
6
|
V. Topical Outline
Listed below are major areas of content typically covered in this course.
1. Lecture Sessions
I. Photography
A. Defining style: Realism, Classicism, Formalism
B. Shots and Angles
C. Light, Dark, and Color
D. Lenses, Filters, Stocks, and FX
E. The Cinematographer’s role
II. Mise En Scene
A. The Frame, Composition, and Design
B. Territorial Space and Proxemics
C. Open and Closed Form
III. Movement
A. Kinetics
B. The Moving Camera
C. Mechanical Distortions
IV. Editing
A. D.W. Griffith and Classical Theory
B. The Soviets: Montage and Formalist Theory
C. Andre Bazin and Realistic Theory
D. The Storyboard
V. Sound
A. Technical/Historical Background
B. Effects
C. Music
D. The Spoken Word
VI. Acting
A. Distinctions: Stage and Screen
B. Styles
C. Casting
VII. Drama/Story/Writing
A. Time, Space, and Language
B. The Director as Artist
C. The Narrative: between Realism and Formalism, Classical Paradigm
D. The Screenplay: Point of View and Figurative Comparisons
VIII. Ideology
A. Left-Center-Right
B. Culture, Religion, and Ethnicity
C. Tone
IX. Criticism
A. The Work
B. The Artist
C. The Audience
D. Theory through One Hundred Years
I. General Information
1. Course Title:
Film Appreciation
2. Course Prefix & Number:
ENGL 1454
3. Course Credits and Contact Hours:
Credits: 3
Lecture Hours: 3
Lab Hours: 0
4. Course Description:
This course is an introduction to film as art form, tracking theory—with emphasis on the evolution of directorial and cinematic technique—through the context of film history. Critical evaluations and in class discussion will be integral parts of the course.
5. Placement Tests Required:
6. Prerequisite Courses:
ENGL 1454 - Film Appreciation
There are no prerequisites for this course.
9. Co-requisite Courses:
ENGL 1454 - Film Appreciation
There are no corequisites for this course.
II. Transfer and Articulation
1. Course Equivalency - similar course from other regional institutions:
Name of Institution
|
Course Number and Title
|
Credits
|
Bemidji State University
|
ENGL 3607 Film
|
3
|
Mankato State University
|
ENGL 416 Film Theory and Criticism
|
3
|
III. Course Purpose
2. MN Transfer Curriculum (General Education) Courses - This course fulfills the following goal area(s) of the MN Transfer Curriculum:
Goal 6 – Humanities and Fine Arts
IV. Learning Outcomes
1. College-Wide Outcomes
College-Wide Outcomes/Competencies |
Students will be able to: |
Demonstrate oral communication skills |
Stand up and present to the class a detailed critical appraisal of the effectiveness of a director’s or cinematographer’s technique inside a dramatic context |
Demonstrate written communication skills |
Compose two critical papers in the MLA format |
Demonstrate reading and listening skills |
Recognize and name specific techniques (from the reading and lecture) used by a director or cinematographer in a particular shot or scene |
Apply abstract ideas to concrete situations |
Analyze a film’s ideological stance by citing the techniques used to produce said effects |
2. Course Specific Outcomes - Students will be able to achieve the following measurable goals upon completion of
the course:
Expected Outcome
|
MnTC Goal Area
|
Demonstrate awareness of technique, genre, and history of film as an art form
|
6
|
Understand those works as expressions of individual and human values within an historical and social context.
|
6
|
Respond critically to a director’s or cinematographer’s technique within the context of a dramatic situation, mood, theme, style, and genre.
|
6
|
Articulate an informed personal reaction to the film as a whole.
|
6
|
V. Topical Outline
Listed below are major areas of content typically covered in this course.
1. Lecture Sessions
I. Photography
A. Defining style: Realism, Classicism, Formalism
B. Shots and Angles
C. Light, Dark, and Color
D. Lenses, Filters, Stocks, and FX
E. The Cinematographer’s role
II. Mise En Scene
A. The Frame, Composition, and Design
B. Territorial Space and Proxemics
C. Open and Closed Form
III. Movement
A. Kinetics
B. The Moving Camera
C. Mechanical Distortions
IV. Editing
A. D.W. Griffith and Classical Theory
B. The Soviets: Montage and Formalist Theory
C. Andre Bazin and Realistic Theory
D. The Storyboard
V. Sound
A. Technical/Historical Background
B. Effects
C. Music
D. The Spoken Word
VI. Acting
A. Distinctions: Stage and Screen
B. Styles
C. Casting
VII. Drama/Story/Writing
A. Time, Space, and Language
B. The Director as Artist
C. The Narrative: between Realism and Formalism, Classical Paradigm
D. The Screenplay: Point of View and Figurative Comparisons
VIII. Ideology
A. Left-Center-Right
B. Culture, Religion, and Ethnicity
C. Tone
IX. Criticism
A. The Work
B. The Artist
C. The Audience
D. Theory through One Hundred Years